supported by 56 fans who also own “Left for the Vultures to Feed”
The perfect blend of Swedish and American Death Metal, Sentient Horror have got all the riffs, badass leads and song arrangements to call themselves one of the best in modern Death Metal. AOTY right here. Peter Carparelli
supported by 54 fans who also own “Left for the Vultures to Feed”
Le premier EeeaaarrK ! de l'album m'a convaincu. On peut pas entamer un album au chant comme ça et ensuite plus rien. Bah justement non, après, y a pas plus rien !
Bon attention, là faut maîtriser la double négation les ami.es.
Bref, un disque qui te promène dans un park d'attraction, où chaque attraction a pour but de te dévisser les os du squelette. gregory duveau
supported by 48 fans who also own “Left for the Vultures to Feed”
The hefty and dire atmosphere is perfectly accentuated by that melodic guitar tone that weaves its way through each sprawling track adding clarity and beauty. However, it is all ripped down and muddied by the sinister vocals, which are that gravelly deep tone that befits both death and doom so wonderfully.
The pacing and song lengths on this album are spot on, and it again hits that sweet spot between both genres. When it veers into some more sludgy or brutal points, it is absolutely crushing. Lorenzo
supported by 48 fans who also own “Left for the Vultures to Feed”
An outstanding Extreme doom death album, in the best tradition. The funerary atmosphere reminds of Evoken ('Centuries of ooze" bears striking similarities, for my delight). It is overall sharp, dark, hypnotic and unrelenting. One of those rare convincing new bands that hold proud the legacy of the biggest names. Bertrand Marchal